Difference between revisions of "PermaCultures"

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# Rationale and criteria for case studies
# Rationale and criteria for case studies
# Programme? workshops and seminars
# Programme? workshops and seminars
[[Sustain 17/03/09 minutes]]

Revision as of 08:57, 22 March 2009

A Sustainability thread

Space Studios has initiated...

A new series of residencies, talks, workshops and training opportunities exploring the convergence of art, media culture, technology and sustainability.

Details of the programme can be found here.

There seems an obvious overlap between Sustainability and permaculture. However, both are broad topics with an added layer of interpretation. This page will serve as a space to explore that overlap and develop a proposal that meshes respective aims and objectives.

Aim of PermaCultures

  • To support the creative research, development and production of new artwork exploring media culture, technology and sustainability.
  • To explore the impact and sustainability of creative technological practices.

Aim of Sustainability

  • To explore what the discourses of 'sustainability' might reveal about creativity, creative practices, and the structures that support them.

Things to do

Clarify the focus of the proposal

  1. How do the aims mesh, how will they be met?
  2. Distinguish the 'techological creative practice' from the creativity of the case studies
  3. Sustainability theme is circular - will CP be analysed in any way?
  4. Rationale and criteria for case studies
  5. Programme? workshops and seminars

Sustain 17/03/09 minutes

As a facet of the discourses of sustainability this proposal begins an analysis of a permaculture approach to creativity. Through research it will experiment with methodologies for observing the impact and sustainability of creative technological practices based on principles and practices of permaculture. Research will focus on case studies selected from relevant contexts. These will provide the 'subject creativity' whose impact and sustainability will be explored. In time the methodologies will be applied to Critical Practice. In keeping with the Aims of Critical Practice and the spirit of FLOSS the artwork/technology will be developed within the Creative Commons, available to other self-organising enterprises under the Attribution-Sharealike licence.

Critical Practice is in itself a creative technological practice. In addition to the specific project outputs it is 'the research' supported and in part 'the artwork' produced by the residency (to be expanded in an appendix). If supported the impact of the proposed work and the sustainability of the practice are to be explored, in accordance with the aims.

Reflecting on its own sustainability Critical Practice recognises that creativity exists as part of a sometimes fragile ecology of inputs and outputs. Through context, finance and association PermaCultures, and the case studies it enables, will sustain the organisation in its challenge to modes of cultural production.

Relevant quantities for meshing

Permaculture - an approach to designing human settlements and perennial agricultural systems that mimic the relationships found in the natural ecologies - Wikipedia. Once established systems are generally understood to require a low level of maintenance.

Sustainability - Meeting the needs of an individual or community in the present, without compromising the ability of future generations or communities to meet their own needs - Sustainability

Creativity - New ideas or concepts, or new associations of the creative mind between existing ideas or concepts. - Wikipedia

PermaCultures - A general philosophy for design of sustainable systems with particular attention paid to the interconnection and relationships between differing areas or objects. It alludes to networked technologies through the prefix 'perma' (see permalinks) and has the aim of exploring the impact and sustainability of creative technological practices.

The aim would be to embody these themes and produce an accessible means to engage with them.


Case Studies - The Sustainability project refers to ethnographic Case_Studies in which specific creative 'ecologies' are 'mapped' to gain insight into benefits and deficits to creativity. The mapping will promote awareness of sustainability in creativity and inform the continuing development of guidelines for open, networked and collaborative practice. These guidelines are intended as a tool to better appreciate and nurture subjective creative ecologies. !!connect to open-source, commons and open-organizations!!

O'BREDIM could be adopted as a template. It is a method used in the 'Natural Systems Design' strand of permaculture for observation-based design of self-sustaining ecologies, pertinent to the aims.

It will be interesting to see whether methods of ecology 'map' to a social context (social far less predictable) so readily as the ethics.

The implied objectivity is dubious (but this doesn't seem to bother economists!). As the sub-prime crisis illustrates, systems must be implemented in order to evolve. The aim is to serve the national interest. There will be casualties.

Candidates for case studies may be instances of creativity or individuals and organisations that seek or derive some sort of value from creativity. In the vocabulary of the Creative Industries (sic) these might be Fashion Designer, Screenwriter or Musician. Less familiar (but perhaps more relevant anthropologically) might be Lawyer, Banker or Accountant.

These case studies will provide a valuable metaphor to engage with the principles of interconnection and interdependence that underpin the philosophy of permaculture.

Unconference - Aim: to share knowledge and experience of sustaining creativity, develop common vocabulary of terms and generate questions for a workshop.
Candidate cultures: Advertising, Art, Finance (Ecological Economics), Law, Architecture

Can it be said that there is strategic and tactical creativity? Some instances of creativity produce the conditions that others respond to e.g. rules and law. Actors pursue different aims and manouver to define differing networks of association. It would be interesting to represent these structural gestures alongside less formal ones. In this way two case study subjects could be a part of a discreet ecology. Lawmaker and Lawyer, Financial Services Authority and Trader, Inland Revenue and Accountant (interested in corporate tax avoidance).

Media technologies hold extensive democratic potential, posing interesting questions to existing systems such as finance, politics, ownership and art.

Democratising technology - access to means of production and distribution. Competitive advantage in agility at local level. To be viewed as sustainable a less finance-oriented economic model is necessary.

Agro-permaculture resembles command economy communism, rejecting as it does the free market of wild untended ecology in favour of a managed system. CP holds that culture is 'designed' and managed in ways that are harmful to creativity.

No-dig Gardening - low maintenance/low intervention approach to horticulture and aspect of permaculture offers tempting metaphors for this project. Some ecologies/habitats are better left alone. Once they artificially established the plot will naturally produce desirable crops.

Social analogies to permaculture - No-dig, nutrients, soil/medium, plot, beneficial organisms, perennial weeds

Intangible value and sustainability - In overtly technical practice, 'producers' are more sensitive to the inputs embodied in outputs, the less invested the 'users' (the old audience) the less (accumulated) time to appreciate intangible outputs. Historically the remedy is to fast-track the user/audience with information and explanation, or leave them to 'make their own meaning'. The turn toward co-production and collaboration concentrates investment and value. Bottom-up Localism and top-down placemaking both have aspects of permaculture about them and some knowledge-sharing relation to the philosophy of open source. The former would seem to more tactical (powerless) and the latter more strategic (powerful).

  • The term 'In the national interest' is invoked to justify all manner of pseudo-political capital ends. How about initiatives 'In the local interest'? Find ways to construct positive local narratives. 'Capture' opinion of the intangible (through mapping/interview) and make it visible, perhaps utilising accessible forms of media e.g flyposting, shop windows, a YouTube channel...

PermaCultures Residency Proposal

Deadline: 5pm March 23rd 2009. Documents should be sent in pdf format with images as jpg or pdf documents and video as URL links. Applications should include:

A short proposal (2 page A4 maximum)
If creativity is the "oil of the 21st Century", what are the conditions necessary to nurture it?

This proposal is open source, developed cooperatively through affiliates of Critical Practice, a Free (Libre) Open Source Software (FLOSS)-inspired cluster of artists, researchers, academics and others. It builds on the work of Budget Guidelines for Self-organizing Groups and Sustainability, a project exploring what the discourses of 'sustainability' might reveal about creativity, creative practices, and the structures that support them.

The residency kicks off with an audit of SPACE as a structure that supports creativity within the cultural ecologies of Hackney and the arts. Through audit the biology of SPACE is examined and attention is drawn to its intangible inputs and outputs. The audit is a celebration of subjective notions of value intended to contest conventional ideas of production, economy and ecology. The temptation to quantify will be resisted. Reflecting on the permanence of SPACE, the audit asks to what extent is the source of these intangibles a renewable component of the SPACE ecology? How sustainable is SPACE?

The proposal also seeks to question the determining effects of technologies, both old and new. In an effort to restore the scale of participation achieved through technology a physical experiment will be conducted to render the mechanics and intellectual ethic of the Internet visible. This will take place in the facilities provided. In keeping with the principles of FLOSS the project will be developed in an open forum, the stated aim being to critique the productivity of technological creative practice and its sustainability. Current proposals refer to the arboreal structure of the Dewey Decimal System, reading events and Internet detox.

An outline of the project containing

  • Aims

to act upon notions of value that inform drivers of profit, loss, cost and benefit
to affect the common concept and underlying motives of production

  • Methodology
  • Support / equipment you will need
  • How the project relates to PermaCultures

It is self-organized art practice and it will develop in keeping with the philosophy of Free (Libre) Open Source Software (FLOSS).
principles of green economics, well-being and homeostasis.

  • What you think you will gain from the residency

it will re-invigourate this project
recognition from SPACE will give encouragement to ethical and critical practice
visibility for practice
give financial encouragement to those who have made commitments to CP
develop capacity to facilitate valued, innovative, practice-led research

  • An idea for a workshop with our Youth Trainees.

Engagement with the defining concepts of the project – creativity, cooperation, values, ethics, well-being, sustainability, critical practice

A Sustainability thread